[4] Lübeck's works were quickly forgotten with much of the rest of 17th and 18th century organ music. Nevertheless, St. Cosmae had an organ built by the celebrated Arp Schnitger (which still survives, although it has been reconstructed). Vincent Lübeck schreef aan het Zwolse gemeentebestuur een warme aanbevelingsbrief ten gunste van de orgelmaker Arp Schnitger vanwege plannen om te komen tot een nieuw groot orgel in de Grote of Sint Michaelskerk in de Overijsselse hoofdstad. During much of his career, Lübeck was a renowned teacher and organ consultant (passing judgements on, among others, Schnitger instruments). Only a few pieces by Lübeck survive: five preludes and fugues (one possibly incomplete, and there is also a spurious sixth prelude and fugue), two chorale settings (one incomplete), a single harpsichord suite published in 1728, and five cantatas. His reputation as organist, organ consultant and teacher grew steadily, and finally landed him the position at St. Nikolai in Hamburg in 1702; he was succeeded in Stade by his son, Peter Paul (1680–1732). Het werk van Lübeck is stilistisch verwant met dat van Dietrich Buxtehude en was met de Noord-Duitse Orgelschool verbonden. Chat with Selina, 22 today. One of his sons (also named Vincent, 1684–1755) assisted him from 1735 and succeeded him. Bach may have been influenced by Lübeck, they almost certainly never met. His father (also named Vincent) worked as organist first at Glückstadt and then, from 1647, at the Marienkirche in Flensburg, where he was succeeded in 1654 by Caspar Förckelrath. Lübeck remained organist of St. Nikolai until his death in 1740. Hij componeerde cantates en werken voor orgel en klavecimbel. Most of Lübeck's fugues have an obbligato countersubject, commonly introduced during the first statement of the subject: The F major and G major preludes and fugues are now attributed to Lübeck's son, whose name also was Vincent. [3] In late 1675 Lübeck became organist of St. Cosmae et Damiani in Stade. [2], The New Grove Dictionary of Music and Musicians, International Music Score Library Project, Willkommen, süßer Bräutigam (free sheet music), https://en.wikipedia.org/w/index.php?title=Vincent_Lübeck&oldid=975539378, Organists and composers in the North German tradition, Articles with German-language sources (de), Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Prelude and Fugue in C minor (possibly incomplete), Prelude and Fugue in F major (possibly by Lübeck's son, also named Vincent Lübeck), Prelude and Fugue in G major (possibly by Lübeck's son, also named Vincent Lübeck). 1691, attributed to Lübeck and published in the recent Bärenreiter edition of his works: Praeludium (in D major) and Chaconne (in D minor), 14 more cantatas and a Passion, known from titles and/or texts, This page was last edited on 29 August 2020, at 03:15. I need only give his name, Vincent Lübeck." https://nl.wikipedia.org/w/index.php?title=Vincent_Lübeck&oldid=51773434, Creative Commons Naamsvermelding/Gelijk delen. [2], An organ fantasia on Ich ruf zu Dir, Herr Jesu Christ is the only existing complete chorale prelude definitely by Lübeck. Lübeck's organ works, predictably enough, show the influence of Reincken, as well as that of Buxtehude. From Hermersberg, Germany. [2] According to scholar Wolfram Syré, Lübeck may have also studied under Andreas Kneller, whose influence is palpable in Lübeck's surviving keyboard works. Lübeck - Wincent Weiss: „Einfach unglaublich“ Wincent Weiss hat beim Echo einen Preis in der Kategorie „Nationaler Newcomer“ gewonnen. Die neue Single Hier Mit Dir ab sofort erhältlich! There are twelve clearly defined sections, covering the entire first stanza of the chorale; numerous techniques are employed, including multiple instances of advanced hand-crossing, another feature periodically found in Reincken but not in Buxtehude. Zijn zonen Peter Paul Lubeck (* 1680) en Vincent Lübeck Junior (* 1684), die hij opleidde tot beroepsmusicus, waren ook componisten, maar bereikten de roem van hun vader niet. The remaining two works, commissioned by the Swedish administration in Stade, include separate instrumental movements, choruses and ritornello arias; they also feature more advanced writing. Das Unternehmen wird beim Amtsgericht 23568 Lübeck unter der Handelsregister-Nummer HRB 17564 HL geführt. The city had been a prominent member of the Hanseatic League, but by 1675 it was being slowly eclipsed by nearby Hamburg. Vincent Lübeck (c. September 1654 – 9 February 1740) was a German composer and organist.He was born in Padingbüttel and worked as organist and composer at Stade's St. Cosmae et Damiani (1675–1702) and Hamburg's famous St. Nikolai (1702–1740), where he played one of the largest contemporary organs. Vincent Lübeck (Padingbüttel, september 1654 - Hamburg, 9 februari 1740) was een Duits componist uit de barok. A school in Stade was named in his honor, the Vincent Lübeck Gymnasium.[5]. In Stade is het Vincent-Lübeck-Gymnasium gevestigd dat naar hem vernoemd is. Nevertheless, Lübeck's position in Hamburg was a prominent one. Wincent Weiß Veranstaltungs GmbH mit Sitz in Stockelsdorf ist im Handelsregister mit der Rechtsform Gesellschaft mit beschränkter Haftung eingetragen. We would like to show you a description here but the site won’t allow us. Lübeck leerde onder anderen bij Caspar Förckelrath, samen met Andreas Kneller. [2] But we know little about his teaching activities; his pupils, aside from the two sons, included Michael Johann Friedrich Wiedeburg, a renowned keyboard pedagogue. However, by the time of Lübeck's arrival, only Reincken was still alive, and the musical life of the city, as well as its economic position, was in a slow decline. Lübeck, Deutschland Upon accepting the post, Lübeck married, as was custom in some parts of North Germany, the daughter of his predecessor, one Susanne Becker. The only dated works by Lübeck are two cantatas composed in Stade in November 1693, both commissioned by the Swedish administration in Stade in memory of Ulrike Eleonora of Denmark. [2] Aside from these pieces, we know very little about the composer's activities at Stade. Aktuelle Single: "Kein Lied", Aktuelles Album "Irgendwie Anders" Vincent Lübeck (Padingbüttel, september 1654 - Hamburg, 9 februari 1740) was een Duits componist uit de barok.. Lübeck leerde onder anderen bij Caspar Förckelrath, samen met Andreas Kneller.Het werk van Lübeck is stilistisch verwant met dat van Dietrich Buxtehude en was met de Noord-Duitse Orgelschool verbonden. Hij componeerde cantates en werken voor orgel en klavecimbel. Of his works, the organ pieces are the most important: influenced by Dieterich Buxtehude and Johann Adam Reincken, Lübeck composed technically and artistically sophisticated works, with frequent virtuosic passages for pedal, five-voice polyphony, and other devices rarely used by most of the composers of the period. [6], Lübeck's Clavier-Übung of 1728 consists of a single harpsichord suite, in which the traditional dances (allemande, courante, sarabande and gigue) are preceded by a prelude and fugue, and a chaconne, which is a simplistic two-voice piece, in which the chorale melody Lobt Gott, ihr Christen allzugleich by Nikolaus Herman is combined with an eight-bar ostinato. Deze pagina is voor het laatst bewerkt op 11 jun 2018 om 00:33. Both have a simple two-section structure (i.e., Toccata and Fugue) and show no trace of the virtuosity apparent in the fully authenticated works. He was born in Padingbüttel and worked as organist and composer at Stade's St. Cosmae et Damiani (1675–1702) and Hamburg's famous St. Nikolai (1702–1740), where he played one of the largest contemporary organs. Windberg 6 23617 Stockelsdorf-OT Dissau Deutschland Telefon: 040/22859906 E-Mail: [email protected] Geschäftsführer: Die Wincent Weiß Veranstaltungs GmbH aus Stockelsdorf ist im Register unter der Nummer HRB 17564 HL im Amtsgericht Lübeck verzeichnet. Unfortunately, Lübeck's St. Nikolai did not survive into the 20th century: the church was destroyed during the Great Fire of 1842. Wincent Weiss. Zijn bekendste leerlingen zijn Christian Henrich Postel en Michael Johan Friedrich Wiedeburg. Das Unternehmen ist wirtschaftsaktiv. BRAND THAT REMAINS GmbH. He enjoyed a remarkably high reputation in his lifetime, and had numerous … Johann Mattheson, writing in 1721, named both the organ and the organist "extraordinary", alluding to Lübeck's apparently great fame: "But how to extol someone who is already greatly renowned? Start talking to her completely free at Badoo In 1674 werd hij organist van de Sankt Cosmae & Damaniankirche in Stade en huwde hij Susanne Becker. Ook het werk van Johann Sebastian Bach werd door Lübeck beïnvloed. The latest media Tweets from Wincent Weiss (@Wincent_Weiss). [7] The suite, on the other hand, is much more advanced and exhibits some of the virtuosic qualities found in Lübeck's organ works. Hamburg was already one of the largest cities in Germany and had a long organ tradition associated first with pupils of Jan Pieterszoon Sweelinck: Heinrich Scheidemann, Jacob Praetorius, and others. The preludes and fugues are remarkably varied, and each has a distinct structure: Buxtehude's impact is apparent in some of Lübeck's fugue subjects,[6] as well as the five-section structure of the E major work. Dit instrument werd in 1721 opgeleverd. De tekst is beschikbaar onder de licentie. St. Nikolai was one of the city's most important churches, and the organ was not only another Schnitger but also one of the largest organs in the world: a four-manual instrument with 67 stops. The free sections often feature virtuosic pedal solos, and the G minor work includes double-pedal passages (see Example 1) of a type which is to be found several times in Reincken's output but which is absent from Buxtehude's. Impressum. Lübeck was born in Padingbüttel, a small town situated some 70 km north of Bremen. Erlebe Wincent Weiss im November auf Tour! 170 d. vind-ik-leuks. Lübeck's father died that year, and Förckelrath married the widow; it follows that he must have been young Lübeck's first teacher. A number of other important composers worked in Hamburg in the late 17th century: among them Matthias Weckmann, who helped organize the concert life of the city, and the aforementioned Reincken, one of the most celebrated organists of his time. The first modern edition of the composer's work appeared in 1921 in Germany (G. Harms (Klecken, 1921)). Despite Lübeck's longevity and fame, very few compositions by him survive: a handful of organ praeludia and chorales in the North German style, a few cantatas and several pieces for harpsichord, some of which were published during the composer's lifetime. Es ist die Region, in der er aufgewachsen ist, und hier testet er auch den neuen ID.3(((ID.3 Pro Performance, 150 kW / Stromverbrauch kombiniert in kWh/100 km: 16,9 - 15,4 (WLTP); 15,4 - 14,5 (NEFZ); CO2-Emissionen … At 271 bars, it is one of the largest known examples of the genre. Works from Handschrift S.M.G. He enjoyed a remarkably high reputation in his lifetime, and had numerous pupils, among which were two of his sons. Vincent Lübeck (c. September 1654 – 9 February 1740) was a German composer and organist. In 1720 Johann Sebastian Bach applied for a post at the Jacobikirche, but withdrew the application after acquainting himself with the local circumstances. [2], Of Lübeck's surviving cantatas, Gott wie dein Nahme, Hilff deinem Volck and Willkommen süsser Bräutigam are the less important ones, probably intended for small, average ensembles. Although J.S. Die Gründung erfolgte in 2017. Die Tour von Meer zu Meer: Volkswagen Testimonial Wincent Weiss teilt mit uns seine Insidertipps für einen Roadtrip zu den schönsten Orten zwischen Nord- und Ostsee. 25, Sänger / Songschreiber. Vanaf 1702 tot zijn dood was hij organist van de Sint-Nikolai-kerk in Hamburg, waar hij het grootste van alle Schnitger-orgels ter beschikking had. Vanaf 1679 bezat Sankt Cosmae een orgel van de beroemde orgelbouwers Arp Schnitger, waarmee Lübeck een levenslange vriendschap had. Lübeck's variations on Nun lasst uns Gott dem Herren survive incomplete, with only the first six verses set, although these are enough to indicate the composer's skill; his rich variation technique at times almost dispenses with the melody, elaborating only on the harmonic framework of the chorale.

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